We developed a mathematical method of scoring queer shows that generates a numeric score from 0 to 100 for all TV shows in the LezWatch.TV database. This is intended to help people identify shows that are ‘better’ for queer audiences than others.

A Brief History

In June of 2017, Mika developed the first ‘formula’ that would later become show scoring while waiting in line for a taping of One Day at a Time. The system was soft-released in August, and by October 2017 the first iteration of the scoring system was made public. The formulas were tweaked and adjusted, in order to give more weight to important aspects of shows (and less to others), until March 2018, when the second major release was made. Since then, the calculations have been tweaked here and there to continue to reward positive representation on television in an automated, and balanced, manner.

Scoring System Last Updated: 27 October 2020


Every show page has a section in the sidebar for “Is It Worth Watching?” In that section is a mention of each show’s score:

Scoring queer shows: An example of where the show score can be found on a show page (sidebar - right side, just below 'worth it')

This score enumerates the contextual value of a show. The higher the score value, the better the show is for a queer audience.

How Scores Are Generated

Any time a show is updated (either by itself or by adding new characters to a show), the score is regenerated. The score takes into account four major aspects of any show:

  • Show Ratings
  • Character Survival Rate
  • Character Values
  • Tropes of Shows

The scores all total 100 each. They are added together and divided by 4 to generate the overall show score.

In addition, shows receive bonuses for having positive intersectional representation.

Show Ratings

When a show is added, we review it’s inherent qualities and award it points based on the following factors:

Thumb Score

All shows receive an overall ‘worth it’ factor, called the Thumb Score. This is represented by a thumb pointed up or down, or a neutral face in the case of apathy.


  • Thumbs up: +10
  • Thumbs ‘meh’: +5
  • Thumbs down: -10

Basic Worth (more info)

We also evaluate the worth of the show for queerness. These ratings are subjective and self-contextual. That is, the realness of a show is not impacted by the fantastical nature of the show’s setting (like Lost Girl).

Scores (0-5):

  • Realness – how realistic are the queers (contextually)
  • Quality – how good is the show for queer people
  • Screentime – how much screen time do the queer characters get

Those scores are added together and multiplied by 3 for a max of 30.

Stars (more info)

All shows have the potential to achieve star ratings based on the queer nature of their production. A show made for queer woman, by queer women, will be a gold star. Not all shows have stars, and the majority will not.


  • Gold Star: +20
  • Silver Star: +10
  • Bronze Star: +5
  • Anti-Star: -15 (note: no show has this yet)

Trigger Warnings

Not all shows are for all people. Trigger Warnings reflect the possible problems with shows. If a show is actively detrimental to some viewers, with abuse, or excessive violence, it’s score is downgraded.


  • Low: -5
  • Medium: -10
  • High: -15

Shows We Love (more info)

There are some shows that the Staff collectively decided are absolutely worth everyone’s time an attention. Those shows are rewarded appropriately.


  • +40 points.

Character Survival Rate (more info)

This is a 0-100 value of characters who are alive based on percentages. If a show has 10 characters and 9 are alive, then it gets a 90. If 9 are dead, then it’s The Walking Dead and gets a 10. If they’re all dead, they get a 0.

Character Value

The more characters a show has, the more they should be rewarded, especially if the character is positive representation. For that, we allocate points based on the character type, their cliches, and their gender representation. This score is between 0 and 100 points, adjusted by those variables.

Role Types

There are three basic roles a character can have: regular/main character, recurring character, and guest character. The more regular and recurring characters a show has, the better. If a show only has guest characters, then the representation tends to be negative (like Law & Order: SVU).


  • Regular Character: +5
  • Recurring Character: +2
  • Guest Character: +1

Character Clichés and Representation

For every character is played by an out queer actor or has no clichés at all, they are awarded additional points. There are also negative points awarded for poor representation.


  • Queer IRL: +10 (more info)
  • No clichés: +5
  • Dead: -5
  • Trans character played by non-trans actor: -5
  • Trans character played by trans actor: +10

Show Format

The stakes on representation change based on the format of a show. For long running series (like soaps, Doctor Who, and the various Law & Orders), it tends to be more difficult to get extensive representation. On the other hand, web series are generally created with the intent of providing inclusive representation. TV Movies and Mini-Series have an incredibly low bar, since they’re a completed story and rely less on ratings to encourage more representation.


  • TV Series: No change
  • Web Series: Divide score by 1.25 (90 becomes 72)
  • Mini Series: Divide score by 1.5 (90 becomes 60)
  • TV Movie: Divide score by 2 (90 becomes 45)

Tropes of Shows

The types of tropes a show has also factors into this. There are six types of tropes:

  • No Tropes: ‘No Tropes’
  • Good Tropes: ‘Happy Ending’ and ‘Everyone’s Queer’
  • Maybe Tropes: ‘Coming Out,’ ‘Big Queer Wedding,’ and ‘Subtext Only’
  • Ploy Tropes: ‘Background Queers’, ‘Erased Queerness’, ‘Happiness then Tragedy,’ ‘Queer For Ratings,’ ‘Queer for Laughs,’ ‘Queer of the Week,’ and ‘Queerbaiting’
  • Bad Tropes: ‘The Big Bad Queers,’ ‘In Prison’ and ‘Queerbashing’
  • Regular Tropes: Everything else

In certain situations, a ‘Maybe’ Trope is a bad one. For example, ‘Big Queer Wedding’ when combined with ‘Queer for Ratings’ usually means the wedding was a one-off character we never saw again. On the other hand, if you combine it with ‘Everyone’s Queer’ then we have a very happy day indeed. Ploy Tropes are those we’ve deemed beneficial to a show for ratings more than positive representation, whereas Bad Tropes are just harmful all around.

Good and Maybe Tropes are worth 1 point, while Bad and Ploy are worth negative one. By adding them all together, and then dividing by the total number of tropes counted (minus the Regular Tropes), we get a value between 0 and 100. If there are more bad and/or ploy tropes than anything else, the show gets a 0.

Additionally, if a show has the ‘Bury Your Queers’ trope, it automatically loses 1/3rd of the final trope score.

We award bonuses for positive intersectionality. If a show has been flagged for positive intersectional representation (such as showing interracial relationships, people of color, or people with disabilities), it gets a +3 bonus for each one, up to a maximum of 15. This rewards shows for featuring diversity of the world, beyond LGBT+, in a positive light. This score is impacted by the BYQ trope, as it is added to the score before that is calculated.

In Conclusion

By combining these factors, we’re able to assign a quantitative value to the quality of a show.