Mika A. Epstein

As we grow and change, we eventually end up leading different lives from our friends. But sometimes, if we’re lucky, we can keep a constant.

Taking another year in review, representation on television is starting to flatten out. And not in a good way.

Finding peace of mind in season two of Good Trouble is harder than you might expect.

Did you miss the film festival for Clexa-Con 2019? Don’t worry! Here’s what you need to watch.

The release of Nielsen data for queer viewers demonstrates that queer television is complex, diverse, and intersectional.

It’s time to talk about what’s new-new for 2019! That’s right, it’s Batwoman, Motherland: Fort Salem, and more!

Have we oversaturated the market with scripted dramas, or is the ever increasing mountain of TV a good thing for diversity?

Coming to Netflix is the next installment in the “Tales of the City” franchise.

Understanding if representation is getting better depends a great deal on how many shows are representing us at all.

The show shies away from actively promoting anyone as LGBT, but thinks things are pretty evident anyway.

Another ClexaCon is in the books and it reminds us all that whether or not we were here, we are all family together.

With season three, “Into the Badlands” comes to an end. Did it pave the way for more diverse TV, or is it a dead end?