Why the CW’s Fall Hurts So Much
It’s not just you. The CW’s demise, on the heels and toes of HBOMax’s collapse, sparks fear in this queer’s TV lovin’ heart.
ClexaCon ’22: Janina Gavankar
“Queer stories have been told with different faces and different names for years.” – Janina Gavankar talks to us about TV, video games, and immortality.
What HBO Max’s Red Wedding Means for Queers
Maybe it’s the death knell for TV as we know it, but the merger of HBO Max and Discovery+ is bad for everyone. Except corporate executives…
Tegan and Sara’s “High School” is Scruffy and Sapphic
I know you feel it too, it all seems so untrue. When you get up and over it and over them. Tegan and Sara’s memoire hits the small screen this week.
2022: Hindsight, Damn Hindsight, and Statistics
In 2020 and 2021, I looked back at the numbers for shows, as a bit of a canary in a…
ClexaCon ’22: Bex Taylor-Klaus Spills All
The queer representation landscape has changed immensely over the last decade, and Bex has been a part of the change every step of the way.
ClexaCon ’22: Bridget Regan – The Greatest Villain
We sat down with our favourite villain of all time, Sin Rostro, to talk about pealing faces, anti-heroes, and what she loved best of it all.
ClexaCon ’22: “Batwoman” Herself – Javicia Leslie
Comics and capes and the importance of telling our stories all come to the front when we talked with Javicia Leslie about being Batwoman.
ClexaCon ’22: “First Kill”‘s Imani Lewis
Driving a stake into our hearts, Imani Lewis dishes on getting cast, her familiarity with the queer world, and making Calliope authentic.
The Mother Brought Us This Far: Motherland: Fort Salem’s Finale
War is war and hell is hell, and the witches of Fort Salem will take on the ultimate battle to break or remake the world.